Home FASHION Maison Margiela Artisanal Collection 2025

Maison Margiela Artisanal Collection 2025

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The collection (designed by Creative Director Glenn Martens) is founded in the medieval architecture and atmosphere of Flanders and the Netherlands. 2° The verticality and volumes of silhouettes reflect the (Gothic) structures of towers. Statuesque forms evoke the (saintly) figures of church façades. Corsetry, draping and optical illusions accentuate the anatomy and sculpturalise the physique. 4° The interiors of (Northern-European Renaissance) houses are abstracted in motifs and techniques.

Left to right: LOOK 40, LOOK 10, LOOK 16

LOOK 40 proper noun, singular
 A dress worn over a corset.  2° The ivory crushed (recycled) polyester satin floor-length dress is encrusted with elements of lace and tulle illusion that gradually fade upwards into three-dimensional forms.  3° The skin-coloured duchess satin corset is cut under the rib cage and over the pelvis (for an anatomical silhouette).  4° The look is worn with black leather Tabi Claw pumps set on perspex wedges, and a mask that matches the dress overlaid with three-dimensional lace.

LOOK 10 proper noun, singular.
 A skirt worn over a corset.  2° The draped (heart-shaped) skirt is crafted in aged-gold oscillating duchess woven with metal threads and printed with a pattern replicating (16th-century Flemish hand- painted and embossed) floral leather wallpapers.  3° The skin- coloured duchess satin corseted body is cut under the rib cage and over the pelvis (for an anatomical silhouette).  4° The look is worn with Tabi Claw boots created in the same material as the skirt and set on perspex wedges, and a matching mask.

LOOK 16 proper noun, singular
A dress.  2° The corseted dress is patchworked from (upcycled) knits and overlaid with silk paper printed with a collage of (16th- century Flemish hand-painted and embossed) floral leather wallpapers in a melange of pastel colours.  3° The look is worn with black leather Tabi Claw boots with an overlay matching the dress set on perspex wedges, and a mask patchworked from (upcycled) leather biker jackets and overlaid with paper in the manner of the dress in shades of cognac and tan.